Work: Print and Publications | Research | Writings

On Lost

Peter Kery thesis On Lost book presented in exhibition photo

Publi­cation presented in exhibition

Publication with QR codes photo

Publi­cation with QR codes

QR codes

QR codes placed on pedestal of exhibit. They were linked to verbal notes, environ­mental sounds, and additional stories not written in publication.

 

Thesis featured image On Lost

On Lost is a 300-plus page mosaic of short writings about growing up in Pennsyl­vania, about friends that I have known, and about getting a little lost in the woods in northern Minnesota. There are people and places lost throughout these stories, but also of things that are found, as well. A sense of lost is what connects these stories, sometimes obviously, sometimes more opaquely. They are told in a fragmented way, as a series of small anecdotes or moments that pop up here and there and do not always follow typical narrative conven­tions. I followed my memories and certain episodes came back to me as I assembled this thesis. Even now, I still feel there are gaps and spaces to be filled if I wish to tell the tale in its entirety.

Graphic designers are story­tellers. We put together words and images to help tell a story. Sometimes we receive that story from someone so we may reinterpret it with type and images. Sometimes we only receive parts of a story, or only its idea, and we interpret the tale from there. Sometimes we are given imagery to help us and sometimes that imagery is not helping us and is telling another story. In any event, the story is told with the help of the individual or organi­zation we are telling the tale for, and to who else that individual or organi­zation wants the tale to be told. For better or worse, we help tell that story, and that story comes from us all.

You may scroll or spin the mouse wheel from beginning to end and out through the middle to read this thesis. You may flip, skip, and jump through the pages and catch snippets here and there. But if you get a little lost in its narrative, you may come closer to how I remem­bered things and how I came to put this together.

Additional link and background.

Thesis exhibit close-up with book on pedestal photo

Publi­cation and Exhibit

Pages 40-41, "What I Thought About Getting Lost" spread

Pages 40–41, “What I Thought About Getting Lost”

Pages 28-29, "What I Thought About Getting Lost" spread

Pages 28–29, “What I Thought About Getting Lost”

Pages 42-43, "What I Thought About Getting Lost" spread

Pages 42–43, “What I Thought About Getting Lost”

Pages 62-63, "The Steel"

Pages 62–63, “The Steel”

Peter Kery thesis publications sample spread

Pages 64–65, “The Steel”

Thesis exhibit close-up with book on pedestal photo

Pages 66–67, “The Steel”

Pages 72-73, "The Steel" spread

Pages 72–73, “The Steel”

Pages 80-81, "The Steel" spread

Pages 80–81, “The Steel”, Illus­tration by Joshua Kery

Pages 94-95, "The Steel" spread

Pages 94–95, “The Steel”

Pages 104-105, "The Steel" spread

Pages 104–105, “The Steel”

Pages 114-115, "The Steel" spread

Pages 114–115, “The Steel”

Peter Kery thesis publications sample spread

interlude between sections

Pages 171-172, "Afternoon Newspaper" spread

Pages 171–172, “Afternoon Newspaper”

Pages 198-199, "Kristiana" spread

Pages 198–199, “Kristiana”

Pages 218-219, "Kristiana" spread

Pages 218–219, “Kristiana”

Pages 208-209, "Kristiana"

Pages 208–209, “Kristiana”

Pages 230-231, "Kristiana" spread

Pages 230–231, “Kristiana” spread

Peter Kery thesis publications sample spread

Pages 246–247, “Kristiana”

Pages 148-149, "Kristiana"

Pages 248–249, “Kristiana”

Pages 270-271, "Conclusion to I Got Lost" spread

Pages 270–271, “Conclusion to I Got Lost”